If you haven’t seen any of the pre-publication hype over this book, then you may have been living in a cave for the last few months. It’s been hyped. And so I will start by boldly stating: it is well worth the hype.
There’s a good chance that, even if you know nothing else about Lizzie Borden, you have heard the children’s rhyme she inspired: ‘Lizzie Borden took an axe, and gave her mother forty whacks, When she saw what she had done, she gave her father forty-one.’ Lizzie was tried, and acquitted, of the murder of her father and step-mother – though the acquittal was mainly on the basis that women didn’t do things like that. No one else was ever charged. It is still a mystery.
A great basis, then, for a novel. Schmidt has done her research into the crime and the time and the place and it is skilfully woven into this beauty of a book. Told from the point of view of Lizzie and her sister Emma, who was away from the family home at the time of the crime, as well as two non-family members, the maid Bridget and a further potential suspect Benjamin, you get to walk around the Borden household and try to work out what could have happened. At times the narrative is confusing, especially where Lizzie is concerned, a reflection of her tangled statements to the police. You are left wondering if she is traumatised and upset or really cunning. The other characters are more lucid in comparison and their voices help to bring a context to the family, the killings, and the town they took place in.
This is a visceral book. You might expect that from a book about a double axe murder, but it’s not just from the descriptions of the grisly deaths. Vomit features heavily, as does sweat and a general sense of unwashed bodies. Mr Borden kept the house locked and the windows closed, he didn’t have an indoor toilet plumbed in and so the household all had slops pails to empty each morning. All of this features in the book and makes the reader start to itch, feeling the fetid atmosphere of the house, you can almost smell it. The publicity features flies hovering and buzzing around and the air must have been thick with them.
Fluids. Stench. Dirt. Festering. You get the picture. This is not a happy house. Even the scene where the maid is cleaning has no effect. The oppressive atmosphere builds and at times you may have to put the book down because it gets so creepy. But not for long because you HAVE to know what happens next.
As you can see, I loved this – a really riveting read and a strong sense of atmosphere.
See What I Have Done by Sarah Schmidt is published by Tinder Press on 2 May 2017. Thanks to Tinder Books and Georgina Moore for the proof copy that enabled me to write this review.