This is a slow read. And, for anyone reading advice about writing books that show and don’t tell, it breaks all the rules. Told in the first person by two alternating points of view, Robert and his granddaughter Kate, Turning for Home is nonetheless a fascinating account of the interior world.
So what’s it about? It’s about the Troubles in Northern Ireland, about the effect we can have on other people, about loss, mental illness and it’s about not eating.
Robert is a retired member of British Intelligence who worked in Northern Ireland during the Troubles. He is celebrating his 80th birthday when a former contact comes to see him at home to ask about a new investigation the British government are carrying out following a series of interviews of former combatants on both sides – a project undertaken by Boston College. The interviews brought out more secrets than anyone wished and there is danger of trouble stirring up again. Both men are afraid of repercussions, bother personally and politically.
Among the party guests is Kate, Robert’s granddaughter, who is recovering from a near death experience following an eating disorder. Kate is Robert’s ally, and he enlists her help to have his meeting uninterrupted. In return, he has always stood by her in her difficult relationship with her mother, a relationship seen by Kate as a possible trigger for her mental disorders. The two characters narrate the events of the party day to us, reminiscing over the past and recapping difficult decisions, painful memories and explaining slowly how they came to this point.
The book was inspired, if that’s the word, by the idea of eating – or, more accurately, not eating – as an act of control by the desperate, as a political act and as a personal one. It’s a loose thread but enough to hold the novel together and is thought provoking without the author hitting the reader over the head to make his point.
Both characters are real – grubby, sometimes mistaken, pig headed but ultimately loving and supportive to each other. I especially liked Kate and it can be the case that male characters mess up writing women, but Kate is perfectly done.
It’s a slow read and I think some may be tempted to give up before finishing, but I recommend sticking with it. It’s absorbing and rewarding in ways few books are these days, not an awful lot happens and yet we cover a lot of ground. It’s also worth saving it for a few days when you can devote a chunk of time to each chapter, rather than fleeting pages on the bus or whatever. It’s an intelligent book and asks questions of its readers.
Turning for Home is published on 11 January by Transworld.
My thanks to the publishers for my free copy via Netgalley for review purposes.