Before this year I’d not heard of the concept of novella in flash so this was the first one I’d read. I know Stephanie via Twitter where she often links to her other excellent flash fiction pieces and shares her time and comments generously on other people’s writing.
For the uninitiated, a novella in flash is a short novel told in short chapters, each a stand alone flash fiction story but when put together build layers of a longer narrative. I’m attempting to write one at the moment and it’s pretty challenging. If you’re interested in how this works, I recommend reading Three Sisters of Stone.
Agnes, Bella and Chloe are the three sisters of the story, and the novella draws on folklore and fairytale, including the three little pigs. A father’s cruelty and how it echoes down the years is the broad theme, but it’s fascinating to watch how so much information and rich characterisation is conveyed in so few words.
Three Sisters is published by small press Ellipsis, and is a richly deserving piece of writing. You can read it in one go, or take tiny bites and allow the interest to build slowly. Like all good books, it warrants re-reading also.
As promised, I wanted to write about a childhood in books with a few featured. I have also decided to commit to blogging and reviewing every day in December and tagging authors to give them a boost about how much we appreciate them. (You can find out more about this here on Twitter – do think about joining in!) So here’s day 1.
I was reading Lucy Mangan’s Bookworm and thinking about the books I loved, the ones I return to, the ones I leave safely in the past but whose footprint is still with me, the ones I want to pass on. The passing on is especially important – I read a blog a while ago about a mother who had saved up a trip to Prince Edward Island with her daughter so they could share the wonder of Anne of Green Gables together and her daughter just didn’t like Anne. My heart! How awful – I dread this happening with E.
So as you can imagine, Anne of Green Gables is one of my absolute favourites. Yes, she talks too much, hugs trees too much and could be seen by some as utterly irritating but none of that ever bothered me. She was aching for love that girl, and had so much to give. My copies of the books are all TV tie in editions of the Kevin Sullivan production (the ONLY version worth watching) with Megan Follows as Anne, Colleen Dewhurst as Marilla and the lovely Jonathan Crombie as Gilbert. Gilbert Blythe was my first literary crush and remains to this day, one of the only decent men in the whole of literature. He spurs Anne onto greater academic achievement, allows her to voice her opinions and in every way respects her. You can count men who do that in books or onscreen on ONE hand. Anne of Green Gables also has one of the most heartbreaking scenes ever written in it – the death of Matthew Cuthbert – something that can make me cry at any time. Half my copies were presents from my Grandma, who bought them for me on a rare trip into Croydon together and whose kindness completed my collection, so I also think of her when I read them.
Going back a bit, my earliest book favourites were Rapunzel and Beaky the Greedy Duck. My mother hates both of them because she had to read them so often, and I think both were Ladybird editions. I’m not a massive fan of Ladybird books despite these, simply because when I was ill in bed as a child, a neighbour gave me the Ladybird version of The Little Mermaid and I was so upset by the awful ending I never read any more – Ladybird or Hans Christian Andersen. Give me the Disney version any day.
Of course I had an Enid Blyton phase, not the Faraway Tree, but straight into the Secret Seven, Famous Five, and the school books of Malory Towers and St Clares. The famous Five were favourites because of George and Timmy, who were something to aspire to – George being possibly the first tomboy character I was drawn to. A few years ago staying at a friend’s house overnight I came across a Secret Seven book that belonged to his son and started reading it out of curiosity. God it was awful.
One set of books I loved and now E loves too is The Worst Witch. It’s not clear which of us is more excited by the new books in the series that Jill Murphy has started to bring out again – we have the new one ready for Christmas. Mildred Hubble is a great heroine. I was drawn to her because her hair was messy and her bootlaces were undone and she made mistakes but she had a good heart. I still love her while E is more drawn to Mildred’s steadfast friend Maud. E is too messy and disorganised herself to be anyone other than Mildred but I like that she values Maud. (Other characters I value because their bootlaces were undone also include Katy Carr from the ethically dodgy What Katy Did, which I acknowledge has dreadful morals but still has a place in my heart because of the bootlaces.)
What else? My mum worked in an infants school for a while and when I came to meet her from junior school one evening one of the teachers gave me a book from
their library that was too old for their children. I still own it. It’s called A Fox in Winter by John Branfield and tells the story of a teenage girl who befriends an old Cornish farmer and listens to him while he tells her of the old mining days. It’s quietly compelling and explores isolation and generational differences and connections or disconnections between people. I also love and still own my copy of Jean Webster’s Daddy Long Legs, a sweet and little celebrated epistolary novel of an orphan and her guardian.
I also remember something I was gripped by and reread called Vipers and Co which was a kind of crime book I think. I can’t find any information about it now but I remember loving it. I also got a Robert Cormier book out which was called The Bumblebee Flies Anyway which I read more than once simply because it was disturbing – about a boy called Barney who lives in a medical facility for experimentation.
I will tell you of two more. Obviously Judy Blume must figure. My favourite was Are You There God? It’s Me Margaret, but obviously I had the Forever rite of passage. As with so many, the library copy was so battered every time someone returned the librarians tried to mend it only to have to hand it over immediately to another teenage girl who wanted to read it. I also made the mistake of asking my mum what some of the phrases during the sex scene meant (well, if you’ve not come across it before, saying somebody ‘came’ is very confusing) and she shrieked “What ARE you reading?” Oops.
Finally, of course, my spiritual sister Jo March has reminded me that I must mention Little Women. We read this a few years ago at my reading group and one of the group said she couldn’t finish it because they were all so pious. I was heartbroken. Of course they are. But Little Women is part of me and, like practically every bookish woman, I am Jo March, although she is clearly a better person than me because if Amy burnt my book I would have left her to drown in the pond. Pious indeed. In the US I made a trip out to Concord to go round the Alcott house, visit their graves and generally worship – it’s fascinating, I do recommend it.
I would love to hear your childhood favourites! Drop a comment below – and don’t forget to keep reviewing books, visiting libraries and buying books from flesh and blood bookshops.
So two things have happened recently. The first is that I started to read E (6) The Railway Children as her bedtime story. The second is that I have been reading Lucy Mangan’s Bookworm: A Memoir of Childhood Reading.
These are clearly related. For those of you unfamiliar with the Mangan, it’s her childhood told the books she read, the history of them, what they taught her and how they have altered over time and rereading. In many chapters it’s like holding up a mirror to my own childhood (we are similar ages) – she dislikes Seuss, was traumatised by Strewelpeter, but loved The Very Hungry Caterpillar and Little Women and Teddy Robinson. Lucy is also reading books to her own child, hoping he finds the same joy in reading as she did.
Which brings us back to The Railway Children, one of my favourites. For someone who dislikes TV tie in editions, some of my most treasured childhood books are TV tie in editions and I love them for it. The Railway Children has Jenny Agutter (as Bobbie) and co on the front from the 1970 film. E and I are five chapters in and she’s enjoying it, taking the historical differences in her stride, though she did ask why they were all wearing wedding clothes on the cover.
When she was born, my main ambition was for her to be a good reader. Others state that they just want their children to be happy but I feel that’s so woolly and out of your control, I figured that if I instilled a love of reading she’d at least have a means to happiness, advice, and life lessons and adventure and excitement and understanding and empathy. We read stories to her at bedtime before she could hold her head up.
When we were in Amsterdam on holiday earlier this year, we stopped in at Waterstones. This was twofold: first in a family of bookworms, it’s difficult to walk past a bookshop; and second, it had aircon and Amsterdam was very humid. S had stopped on the mezzanine, and I was ambling around the second floor browsing and cooling, while keeping an eye on E. She found a book to read, clambered onto the window seat and made herself at home. The sight of her so absorbed in her book filled me with joy, she seemed so serene.
Because that’s the other gift of being a bookworm. You get booky spaces too. When I was little, our village got a new library building where previously there had been nothing. We went along the opening where I refused to talk to local media about what the library meant to me. However, if the reporter had a secret camera he would have seen me frequent it for years afterwards on an at-least-weekly basis, until I left for university. It was a safe space, calming and full of possibility and new discoveries.
At university the second hand bookstall appeared every Tuesday and I haunted that, as well as the second hand shops in Brighton as I tracked down old books by Jeffrey Farnol for my grandpa. Later, finding myself in Ann Arbor, Michigan as an exchange student, I discovered that Borders stayed open until 10pm most nights. A nightmare for the staff but a quiet warm haven of classical music and coffee smells and books for the customers. So civilised.
This changes for a while when you actually work in a bookshop. For two years once I had stopped working for them, I found I had no interest in reading at all. And then the day came when I stepped back into Waterstones and found the new book smell had been restored to me. I haven’t looked back since.
This is part one (of… who knows?) on this subject. Next up, I will blog again about childhood books because thinking about them this week has made me very happy.
Today I’m hosting the blog tour for JM Monaco’s how We Remember, a debut novel of dark family secrets and their after effects.
Jo O’Brien, Irish-American professor of Art History living and working in London, returns home after her mother’s death and, in the process of clearing out her mother’s diary and papers, is reminded of an incident from her teenage years which stirs up all kinds of memories. Family secrets come to the fore, as the three family remaining family members deal with a history of addiction, mental ill health, and bitter confrontations.
Jo is a well written character and the book is shaped around her. She’s not always likeable and she makes a lot of mistakes, but all this makes her recognisable and realistic. What a mess her family life is. But this is not a plot-based book, instead it’s a snapshot of what happens when the stories we tell ourselves in order to make it through the day all start to unravel.
Some passages are hard to read. Jo’s account of the incident in her mother’s diary, a sexual assault by her uncle, made me bite my lip but even worse were the recriminations from her own family members that Jo, a teenage girl, had been ‘asking for it’. And the family dependence on alcohol, the accounts of depression that devastated their family life but was never really treated are heartbreaking.
Despite this, I wouldn’t want you thinking it’s a dreary or sad read. It’s frank, realistic and has passages of tenderness and love that show you that we’re all just trying as hard as we can, sometimes against the odds.
It’s a sure-footed debut and worthy of critical and popular acclaim.
A new Patrick Gale is always something to celebrate but in recent years his books seem to have taken on an extra quality. I do feel he’s one of the country’s best writers – portraying empathy, love and the human experience with deftness, wit and a sure touch. We must celebrate him more. Perhaps a knighthood?
It opens like this:
‘At an age when he was reassured that life was unlikely to surprise him further, Eustace found, in rapid succession, that he was quite possibly dying and that he was falling in love for the third time.’
Wham. And you’re in! Eustace is our hero, about to undergo cancer treatment and falling for Theo, who he hasn’t yet met because Theo is on deployment in the Middle East with the army. Their relationship has so far been conducted over the internet, and Eustace is reluctant to tell Theo of his diagnosis. Eustace’s best friend Naomi, a cellist, has made him a playlist to listen to while he takes his treatment and it is this that sparks memories for Eustace.
The bulk of the book is Eustace’s story from his childhood in Weston Super Mare where his parents run an old people’s home. One day, Eustace’s mother takes him to see Swan Lake and later, remembering the music and the athleticism, Eustace dances to Tchaikovsky in front of the old ladies in the home before being severely reprimanded and signed up for clarinet lessons. But the clarinet teacher is sent away and instead Eustace and his mother find Carla Gold, a cellist and teacher. They are both hooked and Eustace begins lessons.
Eustace finds he is a good player, and devotes himself to playing and practicing. Aside from this, his story is that of a boy growing up to discover his sexuality, how he tentatively explores this with his schoolfriend Vernon. It’s standard stuff and yet there is a charm to it, Eustace is a curious and engaging boy.
Things change. Eustace does not win a scholarship to the private music school he wants to go to and his parents, whose relationship is strained, cannot afford the fees. So he has to go to the local comprehensive, nervous of how the others will view him and starts to mix with a broader range of young people than he has before. Eustace gets to go to a cello summer camp with Carla’s celebrated teacher. If he does well there, he could go on to be a professional musician. It is at the camp that he meets Naomi and her friends, and where he feels less isolated. But before he can perform at the camp’s final concert, his father arrives to take him away. His mother has been involved in a car accident and is in hospital.
Like many teens, Eustace senses his sexuality is something he must keep secret and despite experimenting with his friends, he knows he is different. It is at Carla’s house in Bristol where he stays over on Friday nights before lessons on Saturday that he finds allies. But, when something truly shocking occurs in the last 40 pages of the book (I mean, really, I gasped out loud) he also finds he has allies elsewhere.
I won’t say more but this really is a wonderful read. It’s such a cliche to use words like mature, sensitive writing but this is an engaging, absorbing book, with humour and love and awkwardness and wonder. All it needs is an accompanying soundtrack to really take you along with it.
Take Nothing With You is published on 21 August by Tinder Press. Thank you to Georgina Moore for the review copy.
What a lovely premise this book has. As soon as I heard it, I wanted to read it. William Woolf works for the Royal Mail at the Dead Letters Depot. Woolf is a Letter Detective, sorting through all the letters that never get delivered. He tries to deliver or return them, seeking out the stories that led them to be mis-addressed, trying to decipher the smudged writing, the torn packaging or lost street names.
Doesn’t that sound fascinating? I love these sort of things – the element of fantasy, a system that a more generous, more patient world could have had if we wished it. And it features letters – regular readers of the blog will know I love letters and the epistolary style. So I dived in.
Oh! The book blurb mentions missed birthdays, broken hearts, unheard confessions, pointless accusations, unpaid bills and unanswered prayers. But there’s also whale vomit and old medals and stories of kindness, connections and long-remembered deeds. That’s the just the letters. If I’m honest, I would have been happy with just these. But there’s also William Woolf himself.
William is a failed writer married to Clare. They met at university with William tried to start up a book club and only Clare came along. Their early passion has waned, as they all do, into a comfortable companionship, or has it? For Clare is unhappy. She is frustrated that William is content being a letter detective, she isn’t quite happy at her job as a lawyer, she doesn’t want to consider having a family until they are set up better, and their relationship is now a series of misunderstandings and sniping comments. This portrayal of a soured marriage felt well written and realistic, though there was a part of me that wanted to tell them both to grow up and behave. It can be tedious reading other people’s arguments.
Then one day at work, William discovers a special letter, the first in a series, addressed to ‘My Great Love.’ It is the work of someone called Winter, who lives in London and has enough eloquence and mystery to get William hooked on trying to find them. Soon Winter’s letters contain enough for William to start wondering if he is actually the great love mentioned in the letters. As Clare leaves him, his quest to find Winter begins.
This is an accomplished novel with great insight into how relationships change and develop and change again, with ups and downs. It was a little too sentimental in places to completely charm me – I found Winter to be more of an irritant that she was meant to be but I put that down to my misanthropic heart and I know others will love it. For me the great character was William’s slightly bonkers workmate Marjorie, lonely, ample-bottomed, but obsessed with other people’s love letters and Valentines.
Lost Letters is a great testament to the power of the written word, even by the worst point of their relationship, William and Clare still communicate by letter, and it offers hope for second chances and our own powers of resilience.
The Lost Letters of William Woolf is published on 12 July 2018 by Michael Joseph and available in all good bookshops. My thanks to the Michael Joseph team who sent a proof copy for review.
Phew! What a title! Your Second Life is a French phenomenon. Published three years ago, word spread and it’s now a bestseller, staying in the French top ten for over a year, despite its terrible title. Now it’s coming to England.
It’s rather cute to look at, a small hardback with a Tiffany blue cover and the title in red. ‘The novel that made 2 million people happy!’ reads the strapline.
Your Second Life is about Camille, a normal working mother who, like all of us, is trying to juggle her life and finding it hard. She doesn’t like her job, her work colleagues laugh at her, she’s lost connection with her husband and she spends time shouting at her son and hating herself for doing so. Her self esteem is rock bottom and, when she has a tyre blow out one night in a rain storm, she seeks help in a nearby house to call a mechanic and finds much more.
Claude, an older handsome Frenchman, is inside the house and as Camille breaks down from stress he comes to her rescue.
“You’re probably suffering from a kind of acute routinitis.”
“Acute routinitis. It’s a sickness of the soul that affects more and more people in the world, especially in the West. The symptoms are almost always the same: a lack of motivation; chronic dissatisfaction; feeling you’ve lost your way in life; finding it hard to feel happy even though you have more than enough material goods; disenchantment; world-weariness…”
“But… how do you know all this?”
“I’m a routinologist.”
I admit, this made me laugh. For we’re all Camille, aren’t we? Claude goes on to help Camille reconnect with her life and her sense of self. From here the novel is basically a self-help book, with Claude offering tips on how to make time for what’s important and discard negative energy. I’ve read business books with narratives before so it’s a tried and trusted technique and works nicely here too. (Claude would, I’m sure, tell me that my dislike of the title is part of my negative energy and I should change it. Yeah, maybe…)
The feminist in me did bristle at parts of the book, some of which I think might be a reflection of French culture, but nevertheless. Camille is encouraged to see herself as both the problem and the solution, taking her frustrations with her husband, son and patronising rude workmates and changing her ways in order to get them change theirs. At no point is she allowed to suggest to her husband that he might do some housework, to make her feel better, for example even as the new Camille, she’s still putting herself down for not doing some cleaning, and she’s really pleased when she has time to make dinner. When she and Claude tackle her self esteem and negative body image, she rates her success by how many compliments she gets from men, with no other real benchmark.
Of course, nothing in the book says you have to follow the same path or rate your own self improvement in the same way as Camille. So yes, I’m going to rate my own body image in how I feel about it, thanks very much. The techniques suggested by Claude are all listed in the back of the book to help offer advice or guidance on what you might like to tackle – most of them are really simple, things like using positive notebooks, making collages of people you admire, mindfulness, taking small steps, and so on.
As you can imagine, there’s little tension in the book as you know Camille will work her problems out but I liked the ending – a neat wrap up and continuation. We can all help each other.
Whatever you might think about self-help books, taking some time to be mindful or appreciating the small things, staying positive and taking small steps towards new habits are all good things to try and a reminder like this is helpful to all of us. After all, we’ve all been Camille, we’re all struggling from time to time. Using Your Second Life can help you take stock – it’s a fun read with a little lesson within.
Five or six years ago I walked through Nottingham’s Old Market Square. It was near Christmas, dark overhead but the Christmas market was in full swing, including the annual ice rink. The scene gave me a ‘what if?’ moment and I turned it into a story.
I wrote and edited and wrote and tinkered, made it longer, cut it down and was finally happy enough to submit it. It didn’t get very far – it was too simple, not enough of a twist at the end, not dark enough for many magazines. I forgot all about it and moved on.
A year ago, we woke to the awful pictures of Grenfell Tower, the smoking black horror dominating the news and the skyline. And a little project was born. Watching the news were people who decided to help, who knew that the trauma experienced by residents of Grenfell and the local area would be incredibly difficult to recover from without support. A fundraising project could ensure that a trauma charity could come in and provide support to the families and help them process their experience.
Twenty Four Stories is a book for Grenfell Tower – a story for every storey – funded by a crowd of generous souls, edited by Kathy Burke and published by Unbound. Twelve of the stories are by established writers, twelve of them are by us amateurs.
I saw a call for submissions on Twitter.
I dug my story out. I polished it and I submitted it. 500 other people did the same.
A year after Grenfell, our book will be published. Twenty-four stories of hope, unity, community and love, all of them chosen to be positive and uplifting. I’m so proud to be a part of this, so pleased that my little story is helping play its part. There is so much crap out there, so many horror stories, so many people willing to be negative or criticise or dismiss. Sometimes a small gesture, a story, a smile, a kind word is all that’s needed. That’s what this book is about.
When scholars explore the decline of modern civilisation they will cite two causes. The first is the invention of the motorcar. The second is the decline of letter writing. A good letter is a gift but a good correspondence is an art form. You can find insight, honesty, and character in a good correspondence.
This is why I love epistolary novels. And why I love Anne Youngson’s debut, an epistolary novel of searing truth and beauty.
Meet Me At The Museum is about Tina Hopgood, a Norfolk-based farmer’s wife who, along with a group of her teenage friends, wrote to a Danish professor on the discovery of Tollund Man, and had him dedicate his book to them. Years later, Tina has reason to evaluate her life and writes again to the professor via the Silkeborg Museum, to ask if he thinks she should visit, if she has wasted her potential; in short, if she is special. The professor is dead but Tina receives a reply from the museum’s curator, Anders Larsen, a man who also has reason to evaluate his life, and so a correspondence begins.
Much has been made of Youngson’s age, a refreshing 70-years old, when discussing this debut and the novel too, features protagonists that are older than many we often see. Tina and Anders discuss their families, their failures, their losses, their children and their wider interests, as well as talking of Tollund man and the nature of digging up or replanting and their connection to the world. They are both given to reflection and regret and the correspondence soon grows into an intimacy neither perhaps experiences elsewhere.
Real life must intrude, into correspondence as in all else, and Anders’ daughter provides some plot developments. But then Tina writes that she will correspond no further, leaving Anders to wonder what has happened to her.
This is a lovely novel and although there was quite a lot of discussion of ancient graves and funeral rituals for my liking, these parts were easily moved on, leaving the reader to dwell instead on the voices. Several points while reading I was tempted to join in the correspondence, telling them of my own experiences related to the subject.While there may have been other ways to tell this story, I believe none would have been so effective, the epistolary form giving Tina and Anders the intimacy they crave while retaining a distance, and this juxtaposition is essential to the feel of the novel. An old fashioned way of telling (although they do switch to email halfway through) an ageless story – about connection and significance, about belonging and love.
Meet Me At the Museum by Anne Youngson is published by Doubleday on 17 May. With thanks to the publishers and NetGalley for my review copy.
Today I’m really pleased to be joined by Fiona Mitchell, whose novel The Maid’s Room, has just come out in paperback. The story of two sisters, Dolly and Tala, Filipino maids to the privileged community in Singapore, The Maid’s Room is a sometimes shocking, sometimes funny account of the hidden lives of others and how much we need to connect with each other. While Dolly and Tala are struggling looking after others and making enough money to send home to their own children, Jules, a newcomer to Singapore, has her own difficulties among the expat community.
Fiona, thanks so much for answering my questions. I really enjoyed the book and thought the issues it covers are so pertinent today. There is the danger that exploitation like this is hidden in plain sight; that if you don’t think about the reality of the lives of others around you, then it doesn’t exist.
Let’s start off by asking about how you came to write The Maid’s Room?
I moved to Singapore in 2009 where lots of people employ live-in domestic helpers. When an estate agent showed us around a flat, she pointed to a 12ft by 5ft bomb shelter and said, “your maid will sleep in here.” When I mentioned the lack of windows, she said, “they don’t need things like that.” This attitude abounded. I met people who confiscated their maids’ passports and issued curfews. And it wasn’t as if domestic helpers were protected by the law; back then, they didn’t even have a legal right to one day off per week. When I spoke to domestic helpers, their reality was even more upsetting – every woman had a story to tell, and only being given rice to eat was the most common one. I was a freelance journalist, and at first I thought I’d write a feature, but the issue felt much bigger than a few thousand words, and I started to wonder whether writing a novel could be the way to go.
The two maid characters, Dolly and Tala, are beautifully written and each is flawed and as open to exploiting their situations as they are being exploited. I liked that Dolly, as the submissive and calm sister in the face of abuse, is as able to pick up some benefits for what she has to put up with in her own quiet way, as much as the outspoken Tala. How did you work out the characters of the sisters when you were writing the book?
Tala’s character came easily to me and she was my favourite character to write. She was based on a domestic helper I got to know with a massive personality, although the woman I knew wasn’t nearly as bolshy as Tala. Dolly was much more difficult to write; it took me lots of drafts to capture her voice. In early drafts the sisters were just close friends, but somehow that didn’t work. When I decided to make them sisters, Dolly’s character fell into place.
A lot of the conflict comes from the two blogs – Vanda with her ‘rules’ for maids, and Tala’s Maidhacker. Has the internet made this kind of thing easier to uncover or is it a handy plot device (or a bit of both)?
The idea for the Vanda blog came from a blog that was running when I was living in Singapore. This anonymous blogger actually wrote a series of rules on how to treat domestic helpers – it was clear she saw domestic helpers as somehow inferior to her, and it appalled me. I wrote to her to complain, but of course she didn’t put my comment up, so Tala taking matters into her own hands and writing her own blog was me wanting to shift the power away from people like Vanda.
It must have been difficult to ensure that the rich white characters, especially Amber, didn’t come across as cliched and two dimensional in their awful behaviour towards the maids. How aware were you as you wrote, that on some level readers would need to sympathise with some of the women so it wasn’t just a maids vs employers story?
I was very much reflecting what was around me, and although I experienced people treating domestic helpers badly, I only made friends with people who respected the women. From that point of view, there was always going to be a Jules in my book. I knew that for the book to be compelling, I’d need to have sympathetic characters, albeit hugely flawed ones. But to be honest, I didn’t consciously think about making the expat characters sympathetic, the balance just arrived naturally.
There is a secondary plot through the book about motherhood, about losing children, keeping children and risks to motherhood – for all four of the main female characters. I especially related to this line: ‘…no amount of watching other people’s grief had taken hers away, and hers was nothing compared to such things.’ This idea that unless we’re really suffering somehow our pain is invalid, and yet all these women have experienced loss in different ways and each is as valid as the others. Was writing the book cathartic for you, working through your own grief?
I was really down when I found out I would never have a second child, and I felt incredibly guilty about my unhappiness. It was overwhelming at times and it was this emotion that kickstarted me to write a book. Every time I sat in front of my computer and typed, it brought me a kind of peace. That first draft was quite depressing, but as I came to terms with my situation, the book gained more light and laughs.
Thank you! I’ve really enjoyed reading the book and having the chance to ask you about the book.
The Maid’s Room is published by Hodder and Stoughton today and retails at 8.99. Thanks so much to the publishers for my review copy.