Tag Archives: author

Competition time! Win an author’s kit

I’m celebrating. And to have you join in my celebrations I’m giving away everything you need to be a writer. Everything, except the sheer bloody mindedness, which I’m afraid you’ll have to cultivate yourself.

Would you like to win: coffee, biscuits, writing maps, notebooks and pen? You would? Great, read on.

Your prizeYour ultimate writer’s kit includes:

Four Writing Maps! Containing prompts, illustrations and suggested reading on a theme, these pocket sized beauties are perfect for when you need a bit of inspiration. Each map has at least 12 prompts and these can be used anywhere, in groups or alone, and can give you an idea to transform your surroundings, observations and memories into stories. In your prize are: The Writing Over the Top Map, Writing with Fabulous Trees Map, Writing People Map and My Writing Life Map

Two pocket/ handbag sized lined notebooks, just perfect to carry around for when you need to jot something down

A Pilot G-Tec C4 pen, in a fetching coppery brown colour

A bag of freshly roasted coffee from Nottingham’s own Roasting House, to bring on that period of intense productivity we all need once in a while

A box of superior Elsa’s Story lemon butter cookies to munch while editing

How to enter

You have a number of different ways to enter the competition and each one will give you extra chances to win.

  1. Follow this blog and leave a comment below
  2. Follow my Facebook page and leave a greeting on my wall
  3. Follow me on Twitter and RT my pinned tweet for this competition

The competition will close on 31 March and the winner will be announced on 2 April.

*Open to UK and RoI residents only

Writing East Midlands conference

I spent Saturday in Loughborough. Not words I’m usually happy to utter but this was different – I attended Writing East Midlands’ Writers’ Conference at Loughborough University.

It was a cold grey morning as we arrived and troughed down the refreshments, all clutching our cream and blue goody bags and piling into the auditorium. I had no idea what to expect really, though I’d picked seminars to attend and things to find out about. I had thought about coming along last year but felt fraudulent without a completed manuscript so I didn’t. This year I felt more like a writer with a finished, albeit unpublished, product.

Author Judith Allnatt welcomed us to the conference and then Mike Gayle gave the first keynote address. I worked in a branch of Waterstone’s when Gayle’s first few books came out and I remember their distinctive bright covers and how they got put second place to the unfathomable phenomenon that was Tony Parsons’ early novels. Having now seen both men speak, I can only fervently wish that Gayle continues to do great things – he was very funny, self-deprecating and gave good advice. (Incidentally, MG told us that reading Tess of the D’Urbervilles was one of the seminal experiences that encouraged him to be a writer. Sometimes you read those hand-wringing articles about boys not reading and how they need different books, and then you hear something like that. How amazing.) Anyway, his advice was: read a lot. And as well as the classics, read terrible books for confidence that you can do better. Finish your first draft! Don’t edit when you hit the 30,000 word mark – “Some authors aren’t the best writers n the world but they’re the people who finished the thing they were writing.” And be steely. It’s the last one I need help with the most.

I stayed in the theatre for the next two sessions – the writer at work, and the authentic voice. These were panel sessions with authors discussing a certain topic – The Writer at Work: What Happens to the Day Job? touched on the topical subject of how much you do for free to gain exposure. All the panel urged us to do something for free to build a bod of work but on the whole the subject is a massive grey area that I feel deserves a conference all its own. The Authentic Voice, and the panel session I took after lunch – Research for Writers – felt linked and I enjoyed both of them but will blog separately about my reactions and thoughts about the subjects.

Following coffee I had my agent one-to-one. A series of slots were available to delegates for one to ones with agents and with authors – depending on how far you were with your writing. You had to apply by sending in a few chapters and a synopsis, which were judged by two readers and then awarded a slot according to what they thought. The agent read what you wrote and gave you feedback. I spotted the agent I was seeing having tea during the coffee break and inexplicably had a panic attack. DO NOT DO THIS (see above note for steeliness). These are not meant to be intimidating, they are an opportunity for useful feedback. I had a friend send helpful tweets until I got it together. In the event, the session was useful. There was one point of clarity I should fix in the opening chapters, he said, but otherwise it was well written. He gave some pointers as to who I could try, we discussed the term “commercial women’s fiction” as opposed to “commercial fiction” and the term “saga.” I was slightly distracted spotting some of my university textbooks on a shelf above his head but in general it went well.

And then I popped back to catch much of Carole Blake’s talk. Carole is a legend in literary agent circles and her frank, funny advice was shot through with experience and straight talking. She passed on tips for authors in finding and maintaining a relationship with an agent as well as with a publicist and publisher which were useful, and she took questions. Interestingly, in the “should you work for free” debate she advised at least finding out how much magazines charge for a page advert and trying to get at least that much from them. Like I said, a topic worthy of further discussion.

The final keynote speech was from Sophie Hannah, who passed on advice that you shouldn’t take, or not take in the spirit that it was intended. She too was very funny, and in her line “I’d been through childbirth (5 days!) and now felt I had a harrowing life experience to write crime fiction.” Respect.

So what did I learn? That I’m still rubbish at networking, that I need to stop panicking about my writing, that other people are impressed about those of us who write with jobs and small children, and that sometimes you are going to need to drop your agent. This last piece of advice came across several times throughout the day and may have been concerning to those of us agent-less authors. But we’ll get there. I also learned that I felt more like a writer than I had previously. It’s a state of mind, and the fact that there are so many ‘inspirational’ quotes telling you about being a writer suggests that no one feels completely clear on it. But listening to others talking, I started to think about my own ‘writing journey’ and realised that I knew about these things too.

I should end by thanking Writing East Midlands for putting on the conference, which I did enjoy very much, and for granting me an agent one to one. And now I need to go and polish that manuscript and research my agents…