A new Patrick Gale is always something to celebrate but in recent years his books seem to have taken on an extra quality. I do feel he’s one of the country’s best writers – portraying empathy, love and the human experience with deftness, wit and a sure touch. We must celebrate him more. Perhaps a knighthood?
It opens like this:
‘At an age when he was reassured that life was unlikely to surprise him further, Eustace found, in rapid succession, that he was quite possibly dying and that he was falling in love for the third time.’
Wham. And you’re in! Eustace is our hero, about to undergo cancer treatment and falling for Theo, who he hasn’t yet met because Theo is on deployment in the Middle East with the army. Their relationship has so far been conducted over the internet, and Eustace is reluctant to tell Theo of his diagnosis. Eustace’s best friend Naomi, a cellist, has made him a playlist to listen to while he takes his treatment and it is this that sparks memories for Eustace.
The bulk of the book is Eustace’s story from his childhood in Weston Super Mare where his parents run an old people’s home. One day, Eustace’s mother takes him to see Swan Lake and later, remembering the music and the athleticism, Eustace dances to Tchaikovsky in front of the old ladies in the home before being severely reprimanded and signed up for clarinet lessons. But the clarinet teacher is sent away and instead Eustace and his mother find Carla Gold, a cellist and teacher. They are both hooked and Eustace begins lessons.
Eustace finds he is a good player, and devotes himself to playing and practicing. Aside from this, his story is that of a boy growing up to discover his sexuality, how he tentatively explores this with his schoolfriend Vernon. It’s standard stuff and yet there is a charm to it, Eustace is a curious and engaging boy.
Things change. Eustace does not win a scholarship to the private music school he wants to go to and his parents, whose relationship is strained, cannot afford the fees. So he has to go to the local comprehensive, nervous of how the others will view him and starts to mix with a broader range of young people than he has before. Eustace gets to go to a cello summer camp with Carla’s celebrated teacher. If he does well there, he could go on to be a professional musician. It is at the camp that he meets Naomi and her friends, and where he feels less isolated. But before he can perform at the camp’s final concert, his father arrives to take him away. His mother has been involved in a car accident and is in hospital.
Like many teens, Eustace senses his sexuality is something he must keep secret and despite experimenting with his friends, he knows he is different. It is at Carla’s house in Bristol where he stays over on Friday nights before lessons on Saturday that he finds allies. But, when something truly shocking occurs in the last 40 pages of the book (I mean, really, I gasped out loud) he also finds he has allies elsewhere.
I won’t say more but this really is a wonderful read. It’s such a cliche to use words like mature, sensitive writing but this is an engaging, absorbing book, with humour and love and awkwardness and wonder. All it needs is an accompanying soundtrack to really take you along with it.
Take Nothing With You is published on 21 August by Tinder Press. Thank you to Georgina Moore for the review copy.